Final Animation

Type & Layout

MODULE EVALUATION 25/11/08. please click to view.

EAT MEAT

Here is the second part of the 'Good' project. A screen-printed cooking apron.
The apron would be a product sold to the public who want to show their support for their butcher. As the proceeds from the apron would go to 'The Butchers Society'.
The apron is rolled and tied with string to represent a joint of meat, the price tag shows the print on the front and price with breidf description and cause on the reverse.

EAT MEAT

POSTER FINAL
Here is the A1 poster i produced for the 'Good' project. Im promoting and directing the public to eat meat and support their local butchers. i took inspiration from russian constructivism and 1930s poster designers such as A.M Cassandre. the poster is intended to be displayed in shop windows across the nation; butchers, pubs, newsagents ect.

SCREEN-PRINTING

After cleaning, coating with emulsion, exposing and drying the screen, i pinned my blank apron onto the padded table, ready to print my screen onto.


I placed my exposed screen face down onto my apron, then sturdied it with weights.


Apply a line of paint at the top of the screen, then pull downfirmly with a squeegee, thus forcing paint through the open mesh and onto the apron. Press the squeegee back upwards to collect the paint at the top again. Repeat this process 4 times for material prints.



Once printed, clean the paint from the screen with a sponge and hose, leave screen in the drying room.

Colour mode research

Sagmeister - Annie Kuan Clothing
A greyscale newsprint for kuan clothing brochure. Printed Litho.


Chad Lenjer - Architects
A full process CMYK print of Lenjers artwork for Architects the band. digitally printed.


Empire by Sumeco Design
RGB - Website welcome page design, created using 3D type software.

Colour Modes/Image Variants X6.

RGB

CMYK

GREYSCALE

SPOT COLOUR

MONOTONE

DUOTONE

What Is 'Good'? RESEARCH

Meat.
















1930s Poster Design.












1930s Design
I take great inspiration from 1930s poster design. They have a distinctive constructivist style, which incorporates image and type together. Their aim is to communicate maximum meaning with minimum means. This is a phrase I believe works within the graphic design industry.