12/14/2007
12/06/2007
11/13/2007
Max Earey
Max Earey is the most dominant motorsport photographer in the world.
He captures a range of motorsport such as BTTC, F1 and WRC.
I find his photography to be a great view into that sport, he captures the excitement, adrenelin rush and spirit of the sport.
I particually like the motion shots he takes using a car mounted camera, the low angle and prolonged exposure time delivers a powerfull view of speed and raw power of the 'machine'.
He's my favourite photographer, Im obsessed with fast cars and motorsport myself, and from his work i can tell he is too. His dedication to his job is inspiring and i'd love to follow in his footsteps.
Max Earey is the most dominant motorsport photographer in the world.
He captures a range of motorsport such as BTTC, F1 and WRC.
I find his photography to be a great view into that sport, he captures the excitement, adrenelin rush and spirit of the sport.
I particually like the motion shots he takes using a car mounted camera, the low angle and prolonged exposure time delivers a powerfull view of speed and raw power of the 'machine'.
He's my favourite photographer, Im obsessed with fast cars and motorsport myself, and from his work i can tell he is too. His dedication to his job is inspiring and i'd love to follow in his footsteps.
10/29/2007
Justin Quinn influence (by me)
I experimented in the style of Justin Quinn, by using solely the letter 'E' to form an image.
I created a tonal image of myself by using 3 different sized symbols repettitively (The E's).
Im impressed with the outcome, the process and technique adds so much more to the image compared to using a threshold for instance.
I created a tonal image of myself by using 3 different sized symbols repettitively (The E's).
Im impressed with the outcome, the process and technique adds so much more to the image compared to using a threshold for instance.
10/18/2007
Justin Quinn
I find Justin Quinn's artwork astounding.
He works with type to create highly detailed, and what can be described as 'wild' illustrations.
Quinn uses the single letter E almost constantly in most of his artwork, he describes it as the surrogate for all letters in the alphabet, it's the most frequently used letter in the English language, has a visual presence that interests him greatly and has become a primary starting point in his works. Quinn compiles hundreds of E's into abstract compositions through various systemic arrangements.
I like how Quinn's illustrations are crammed with detail, and how they are constructed with hundreds of letterforms which arn't supposed to say anything; the E's are used solely as shapes, rather than type/language. I feel that Quinns work is quite personnal to himself, his fascination with the letter E and how he shows it expanding and exploring off the page really inspire me to make my work more personnal to me and to continue to develop my own style.
He works with type to create highly detailed, and what can be described as 'wild' illustrations.
Quinn uses the single letter E almost constantly in most of his artwork, he describes it as the surrogate for all letters in the alphabet, it's the most frequently used letter in the English language, has a visual presence that interests him greatly and has become a primary starting point in his works. Quinn compiles hundreds of E's into abstract compositions through various systemic arrangements.
I like how Quinn's illustrations are crammed with detail, and how they are constructed with hundreds of letterforms which arn't supposed to say anything; the E's are used solely as shapes, rather than type/language. I feel that Quinns work is quite personnal to himself, his fascination with the letter E and how he shows it expanding and exploring off the page really inspire me to make my work more personnal to me and to continue to develop my own style.
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